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1
Toccata in the Venetian Style of the Late 16th and Early 17th Centuries
Chopin University PressTomasz Soczek
2
Pangue lingua gloriosi: I versus a 2
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Pangue lingua gloriosi: II versus a 2
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Pangue lingua gloriosi: III versus a 3
5
Pangue lingua gloriosi: IV versus a 3
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Pangue lingua gloriosi: V versus a 5
7
Intabulation of Wacław of Szamotuły's Motet 'Ego sum pastor bonus'
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Variations on the Theme of the Carol 'Szczęśliwa kolebko': Variation I
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Variations on the Theme of the Carol 'Szczęśliwa kolebko': Variation II
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Variations on the Theme of the Carol 'Szczęśliwa kolebko': Variation III
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Variations on the Theme of the Carol 'Szczęśliwa kolebko': Variation IV
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Variations on the Theme of the Carol 'Szczęśliwa kolebko': Variation V
13
Toccata in the Italian Mannerism Style of the First Half of the 17th Century
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Ricercare cromatico
15
Canzona alla francese
16
Toccata in the South German Style of the Second Half of the 17th Century
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Ciaccona in d
18
Praeludium in g in the North German Style
19
Chorale Prelude on the Theme of Psalm 91 'He Who Dwells in the Shelter of the Most High'
20
Prelude [Free Fantasia] and Aria 'Bist du bei mir': Prelude
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Prelude [Free Fantasia] and Aria 'Bist du bei mir': Aria
Chopin University PressTomasz SoczekJoanna Soczek
22
Concerto in F major: I Allegro
23
Concerto in F major: II Adagio
24
Chorale Partita on the Theme of the Song 'Jesus, Jesus, Come to Me': Theme
25
Chorale Partita on the Theme of the Song 'Jesus, Jesus, Come to Me': Partita I
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Chorale Partita on the Theme of the Song 'Jesus, Jesus, Come to Me': Partita II
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Chorale Partita on the Theme of the Song 'Jesus, Jesus, Come to Me': Partita III
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Chorale Partita on the Theme of the Song 'Jesus, Jesus, Come to Me': Partita IV
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Chorale Partita on the Theme of the Song 'Jesus, Jesus, Come to Me': Partita V
30
Prelude and Double Fugue in C major in the Late Baroque Style: Prelude
31
Prelude and Double Fugue in C major in the Late Baroque Style: Fugue