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Trio Sonata No. 1 in E-Flat Major, BWV 525: I. — (Arr. I. Goritzki)
Ingo GoritzkiHans-Joachim Erhard
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Trio Sonata No. 1 in E-Flat Major, BWV 525: II. Adagio (Arr. I. Goritzki)
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Trio Sonata No. 1 in E-Flat Major, BWV 525: III. Allegro (Arr. I. Goritzki)
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Trio Sonata No. 3 in D Minor, BWV 527: I. Andante (Arr. I. Goritzki)
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Trio Sonata No. 3 in D Minor, BWV 527: II. Adagio e dolce (Arr. I. Goritzki)
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Trio Sonata No. 3 in D Minor, BWV 527: III. Vivace (Arr. I. Goritzki)
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Sonata in G Minor, BWV 1030: I. Andante (Arr. I. Goritzki)
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Sonata in G Minor, BWV 1030: II. Andante (Arr. I. Goritzki)
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Sonata in G Minor, BWV 1030: III. Siciliano (Largo e dolce) [arr. I. Goritzki]
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Die Kunst der Fuge (the Art of Fugue), BWV 1080, Canon II - Contrapunctus IX a 4 - Contrapunctus X - Contrapunctus VII a 4: Contrapunctus 15: Canon alla Ottava [arr. For oboe and harpsichord]
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Die Kunst der Fuge (the Art of Fugue), BWV 1080, Canon II - Contrapunctus IX a 4 - Contrapunctus X - Contrapunctus VII a 4: Contrapunctus 17: Canon alla Duodecima [arr. For oboe and harpsichord]
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Die Kunst der Fuge (the Art of Fugue), BWV 1080, Canon II - Contrapunctus IX a 4 - Contrapunctus X - Contrapunctus VII a 4: Contrapunctus 16: Canon alla Decima [arr. For oboe and harpsichord]
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Die Kunst der Fuge (the Art of Fugue), BWV 1080, Canon II - Contrapunctus IX a 4 - Contrapunctus X - Contrapunctus VII a 4: Contrapunctus 14: Canon per Augmentationem in Contrario Motu [arr. For oboe and harpsichord]
