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Trio Sonata No. 1 in E-Flat Major, BWV 525 (arr. I. Goritzki): I. —
Ingo Goritzki
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Trio Sonata No. 1 in E-Flat Major, BWV 525 (arr. I. Goritzki): II. Adagio
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Trio Sonata No. 1 in E-Flat Major, BWV 525 (arr. I. Goritzki): III. Allegro
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Trio Sonata No. 3 in D Minor, BWV 527 (arr. I. Goritzki): I. Andante
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Trio Sonata No. 3 in D Minor, BWV 527 (arr. I. Goritzki): II. Adagio e dolce
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Trio Sonata No. 3 in D Minor, BWV 527 (arr. I. Goritzki): III. Vivace
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Sonata in G Minor, BWV 1030 (arr. I. Goritzki): I. Andante
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Sonata in G Minor, BWV 1030 (arr. I. Goritzki): II. Andante
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Sonata in G Minor, BWV 1030 (arr. I. Goritzki): III. Siciliano (Largo e dolce)
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Die Kunst der Fuge (The Art of Fugue), BWV 1080: Canon II - Contrapunctus IX a 4 - Contrapunctus X - Contrapunctus VII a 4 (arr. for oboe and harpsichord): Contrapunctus 15: Canon alla Ottava
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Die Kunst der Fuge (The Art of Fugue), BWV 1080: Canon II - Contrapunctus IX a 4 - Contrapunctus X - Contrapunctus VII a 4 (arr. for oboe and harpsichord): Contrapunctus 17: Canon alla Duodecima
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Die Kunst der Fuge (The Art of Fugue), BWV 1080: Canon II - Contrapunctus IX a 4 - Contrapunctus X - Contrapunctus VII a 4 (arr. for oboe and harpsichord): Contrapunctus 16: Canon alla Decima
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Die Kunst der Fuge (The Art of Fugue), BWV 1080: Canon II - Contrapunctus IX a 4 - Contrapunctus X - Contrapunctus VII a 4 (arr. for oboe and harpsichord): Contrapunctus 14: Canon per Augmentationem in Contrario Motu
